"THE KINGFISH"
Input Map & Stage Plot
INPUT MAP
Subject to change channel order at discretion of FOH engineer.
1 - Kick - AKG D112, Shure Beta 52 or equivalent
2 - Snare 1 - Shure Beta 57 or equivalent
3 - Snare 2 - Shure Beta 57 or equivalent
4 - Tom 1 - Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
5 - Tom 2 - Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
6 - Tom 3 - Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
7 - Tom 4 - Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
8 - Drums OH L - Shure SM81 or equivalent
9 - Drum OH R - Shure SM81 or equivalent
10 - Bass DI - Passive Direct Box - Radial JDI or equivalent
11 - Acoustic Guitar DI - Passive Direct Box - Radial JDI or equivalent
12 - Electric Guitar 1- Shure Beta 57 or equivalent
13 - Electric Guitar 2- Shure Beta 57 or equivalent
14 - Vocal 1- Shure Beta 58 or equivalent
15 - Vocal 2- Shure Beta 58 or equivalent
16 - Vocal 3- Shure Beta 58 or equivalent
17 & 18 - Keyboards - Passive Stereo Direct Box - Radial JDI Duplex Stereo DI or equivalent
STAGE PLOT:
Drum Set - positioned Box Center
Requirements:
• Vocal Mic for performer - Shure Beta 58 or equivalent on tripod w/adjustable boom
• Stage Monitor for Performer positioned Up Left Center
• Microphones on appropriate stands for drums as listed in input map
Backline furnished by performer includes the following:
Pacific CX Series Drums
22" kick drum - AKG D112, Shure Beta 52 or equivalent
13x5 Joey Jordison Series Pearl Snare - Shure Beta 57 or equivalent
5x10 Pacific 805 Series Snare - Shure Beta 57 or equivalent
10" tom - Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
12" tom Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
14" tom Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
16" floor tom Sennheiser MD421 MKII U4, Shure Beta 57 or equivalent
Cymbals - To be covered by 2 overhead condenser microphones - Shure SM81 or equivalent
8" A Splash
12" A Custom Splash
14" A Custom Crash
17" K Custom Hybrid Crash
18" K Custom Hybrid Crash
20" K Custom Ride (Steve Gadd Signature Model)
22" A Custom Flat Ride
18" K Meduim Dry Crash
18" ZXT Medium Crash
18" ZXT China
20" Ride (Mounted under ZXT China)
13" Z Custom Top Hat
13" K Custom Dry Bottom Hat
Ridge Rider Cow Bell
LP 6" Wood Block
Guitarist 1 positioned Right Center
Requirements:
• Vocal Mic for performer - Shure Beta 58 or equivalent on tripod w/adjustable boom
• Shure Beta 57 or equivalent w/clip
• Stage Monitor for Performer positioned Down Right Center
Backline furnished by performer includes Fender Hot Rod Deluxe Amplifier and Pedal Board
with Performance Audio Z-Bar microphone holder
Guitarist 2 - positioned Left Center
Requirements:
• Vocal Mic for performer - Shure Beta 58 or equivalent on tripod w/adjustable boom
• Stage Monitor for Performer positioned Down Left Center
• Shure Beta 57 or equivalent w/clip
• Passive Direct Box - Radial JDI or equivalent for acoustic guitar
Backline furnished by performer includes Line 6 Spider III/75
with Performance Audio Z-Bar microphone holder
Bass Guitar - positioned Stage Left
Requirements:
• Stage Monitor for Performer positioned Down Left
• Passive Direct Box - Radial JDI or equivalent for active bass guitar
Backline furnished by performer includes Gallien Krueger 700RBII with 410RBX Cabinet
Keyboardist - positioned Stage Right
Requirements:
• Stage Monitor for performer positioned Back Right
• Passive Stereo Direct Box - Radial Duplex Stereo DI or equivalent
Backline furnished by performer to be listed by request.
OPTIONAL SET UP FOR WIRELESS IN-EAR MONITOR SYSTEM
"The Kingfish" now travels with their own wireless in-ear monitor system. These are not required, but preferred to be used by the performer in place of a stage monitor system for better sight lines and to eliminate on-stage feedback.
Requirements:
• FOH Mixing console needs to have 4 discreet auxilliary sends (all Pre-Fade and Post EQ for each input channel), or a separate monitor console to provide 4 discreet mixes from all stage inputs and effects returns.
• Auxilliary sends should be terminated with either balanced 1/4" TRS at the rear of the console to use existing cables, or sound company would provides 4) XLR male cables from the console's auxilliary sends.
• A sound check prior to the start of the performance will be necessary to adjust auxillary sends for each performers personal mix.
• Option - If the above requirements are not available, the performer is able to provide a compact digital mixing console (Yamaha O1V96VCM) with established presets for the discreet personal in-ear monitor mixes. A transformer isolated microphone splitter would need to be provided for all stage inputs terminated to XLR male connectors.
Please contact the performer prior to the performance to confirm what which of the above options would be available.
• The technical staff provided by the artist will perform a pre-show frequency scan and program the necessary presets on the transmitters and belt-packs receivers to assure optimum wireless operations. The wireless in-ear monitor system furnished by the performer includes 2) Audio-Technica M3 transmitters, 4) Audio-Technica M3R belt-pack receivers, and Shure SCL-3 earphones with Sensaphonics custom sleeves.
Note: The Audio-Technica M3 transmitters also provides a loop through output for each channel allowing the sound company to patch both in-ear monitors and stage monitors simultaneously for other performers that may be scheduled to perform at the venue that do not use in-ear monitors.
QUESTIONS PERTAINING TO "THE KINGFISH" INPUT MAP OR STAGE PLOT
SHOULD BE DIRECTED TO:
BOB TJARKS
847.372.6362
